Opernball | with Jonathan hell Seine Haut ist so gräulich

Seine Haut ist so gräulich

This perspective shaped how the process was held and how the painting emerged

den er – bewusst ohne direkte Benennung – als „orange“ bezeichnet

die zum „Mensch im Wolfspelz“ umgewandelt wurde

Opernball | with Jonathan hell Seine Haut ist so gräulich"This painting was made after the Opernball, an evening built on surface and performance. Wealth staged as culture. Precision without warmth. A structure that appeared refined while feeling internally empty. Later that night, I painted with a friend, Jonathan. Years earlier, he had taken hallucinogens and was violently attacked during the experience. What followed was not understanding but containment: police, hospitalization, diagnosis. What stayed