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and ‘The imitations’
1933 in Boston
die Alltäglichkeiten
in which the artist tries to reconnect with nature
Queuejumping - Marina Roy climate change and ‘The imitations’Encyclopaedic in form, Marina Roys Queuejumping eloquently unspools manifestations of capitalist, colonialist, agrologic, and scientific impulses, all within the context of the letter Q. Roy enlists art writing, poetry, lists, found images, and essays on humankinds hunger to supersede the Other (in order to uphold what she calls the vertically directed world) in this artfully academic work. From queens, queers, quadrupeds, and the Quran, to quick,
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